A Study of Light over Water. The film is an abstract representation of the naturalistic reflection of light on Lake Tune and Canal Saint-Martin.

A poetic journey of rediscovery and return. Routing us through shifting landscapes and waterways, the narrative reflections of a seeker are mystically guided by Oshun, the venerated orisha of water and destiny.

Hyowon, who dreams of becoming an actress, runs away to Seoul with Eunseo, a high school dropout. The two girls step into the sprawling city with their fragile hopes, clutching at its promises like lifelines. Their first home is a basement room, dim and shabby, the air thick and heavy, but to them, it is a sanctuary, a nest of possibilities. 　　Eunseo begins working odd jobs to keep them afloat, while 　　Hyowon, drawn by her dream, takes on menial tasks at a theater company. They are buoyed by their own visions of tomorrow, their dreams threading through the cracks in the worn walls. 　　Soon, Hyowon starts taking acting lessons from Suyeon, a lead actress at the theater. 　　Suyeon’s voice is steady, her words sharp: "Acting is the art of embodying another’s suffering." Hyowon listens, but the weight of those words eludes her. She cannot yet grasp the depths of Eunseo’s pain, nor can Eunseo fully see hers. 　　The two drift, parallel yet apart, their lives entangled by need and longing but marred by unspoken distance. 　　The city presses in, relentless. Their lives fracture under the strain of survival, yet questions linger in the spaces between them. What does it mean to carry someone else’s sorrow? What does it mean to live with your own? 　　For them, life is an unanswered question, fragile as the surface of water, trembling under the weight of its own reflections.

Airports, detention centres, sea containers. Slow, roaming shots linger on places of passage and confinement, where movement is measured and controlled. Fragments of stories, words passed from one person to another. Encounters along the way reveal different ways of seeing, different ways of understanding. 　　Voices emerge, sharing stories from those held inside Brook House, a large immigration centre on London’s outskirts. Through shifting perspectives, the film examines migration, control, and the space between perception and reality.

Based on Kwame Onwuachi's memoir which tells his unprecedented journey from childhood in the Bronx with a mostly single mother to opening a fine-dining restaurant in Washington D.C. at the age of 26.

一个冷酷无情的石油大亨剥削得州的一群农人，一对兄弟为保住自家产业，不惜躲避骑警的追查去抢银行。

日本の公衆浴場の一種である銭湯の水風呂に浸かりながら鑑賞するオーディオビジュアル作品。映像は３バージョンあり、テーマがそれぞれ「ゆらぎ」、「越境」、「浄土」となっている。自然から都市へと流れ込む水の流れと、銭湯内でお湯の浴槽と水風呂を交互に浸かる「温冷交代浴」を表現している。 　　This is an audiovisual work that can be viewed while soaking in a cold bath at a sento, a type of public bath in Japan. There are three versions, each with the themes of "fluctuation," "crossing borders," and "Pure Land.” These works express the flow of water from nature to the city, and are composed of images that depict people taking alternating baths in hot water and cold baths in public baths. 　　8mm film / digital, 5min30sec, color, sound, 2023 　　撮影 / 波田野州平 / 池添俊 　　編集 / 波田野州平 　　音 / 梅沢英樹 　　監督 / 池添俊

The stones always existed under our feet, various and silent, using stop motion placed on the time sequence in a pure and gentle way, becoming a surreal existence. Slow down and listen to the stories and secrets told by the stones, the secrets from the universe, flowing gracefully like water.

暂无剧情简介